Ä¢¹½ÊÓƵ

The University’s largest-ever single donor shares why he gives to Ä¢¹½ÊÓƵ, as well as what inspires him about The Third-Century Plan and a related series of initiatives designed to bolster arts, creativity, and innovation, in this episode of 13. 

Daniel Benton ’80, P’10, H’10 has secured his place as Ä¢¹½ÊÓƵ’s most generous benefactor, making a $25 million gift in support of the University’s Middle Campus Plan for Arts, Creativity, and Innovation and other elements within The Third-Century Plan.

Supporting local and regional artists, the Palace Theater fosters culture and community through programs such as Arts Together | Hamilton Conversations — with the participation of Ä¢¹½ÊÓƵ faculty.

Two related exhibitions open at the Picker Art Gallery on January 30.

Wondering what’s happening in the classroom at Ä¢¹½ÊÓƵ? Here’s a real-time glimpse into academic life on campus — a syllabus from a course underway this semester.

A strategic framework focusing Ä¢¹½ÊÓƵ on the attainment of a series of long-term goals.

In honor of Ä¢¹½ÊÓƵ’s Bicentennial year, the Picker Art Gallery is hosting a special traveling exhibition, Koolanga Boodja Neh Nidjuuk (Children Looking and Listening on Country), through June 30.

A two-day gathering titled Grafters X Change: Branches and Networks brought together Ä¢¹½ÊÓƵ and local community members, eco-artists, and activists to foster creative community resiliency.

The Mat transforms the flexible, open space of Parker Commons into a vibrant venue where student and professional artists come together to perform music for the community.

April 4–6 marked the campus debut of hybrid media artist Paul Catanese’s avant-garde opera Century of Progress / Sleep. The Ho Tung Visualization Laboratory was transformed for the production.