ĢƵ

Dan Poston

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Dan Poston

Visiting Assistant Professor of Theater

Department/Office Information

Theater
Charles Dana Arts Center

I am an interdisciplinary theater, performance, and literary scholar with a reflective, anthropological and philosophical bent.  My expertise is in global and transcultural theater histories as well as British and American literature and aesthetics of the long 18th century.  Other current research and teaching foci include performance studies and performance art, ensemble-generated theater, making theater in academic, scientific, and techological settings, Elizabethan and 17th-century poetry and drama, the history of the novel from the early modern period to the present, contemporary European theater, psychoanalysis and literature, and indigenous North American theater and diplomacy.

Before coming to ĢƵ, I taught literary and cultural studies, theater history, and performance studies for ten years at the University of Tübingen, one of Germany's oldest universities, within the English and American Studies department and the Comparative Literature program. I have also taught at Baruch College, as well as at the Technische Universität Berlin and at the Universidad Nacional de San Martín in Buenos Aires.

Beyond the university, my creative experience has included opportunities to write and perform for theaters in New York, California, and Oregon as well as for many international art-world contexts, including MoMA, Museum Ludwig, the Dallas Art Museum, the Stedelijk Museum, Skulptur Projekte Münster, Le Musée Fabre, the Liverpool Biennial, the Berlin Biennale, and Art Basel. I have also previously worked in high-tech interdisciplinary science labs, in government and campaigning, and in journalism.

BA, Harvard College
MA, New York University Gallatin School
MFA, Bard College
PhD, Graduate Center of the City University of New York

Books

Joseph Addison: An Intellectual Biography, Charlottesville: University of Virginia Press, December 2023, 344 pages,

Silence in eighteenth-century arts, history, and philosophy, edited by Francesca Saggini, Dan Poston, and Adam Schoene, Paris: Honoré Champion, forthcoming 2025

Articles and Book Chapters

“Silent Enlightenment: Joseph Addison and Newton’s New Optics,” Silence in eighteenth-century arts, history, and philosophy, edited by Francesca Saggini, Dan Poston, and Adam Schoene, Paris: Honoré Champion, forthcoming 2025

 “The Eighteenth Century: The Novel, from 1700 to 1750,” The Year’s Work in English Studies, Volume 104 (covering work published in 2023), edited by William Baker and Kenneth Womack, Oxford, Oxford University Press, forthcoming 2025

“The 2025 Festival International New Drama (FIND) at Berlin Schaubühne,” European Stages, Volume 20, July 2025,

“Report from London (Ghosts) and Berlin (Theatertreffen festival),” European Stages, Volume 19, December 2024,

“Radio silence: the arrival of the Pax Americana in Carson McCullers’ The Member of the Wedding,” Politische Ideen in der Literatur: Von der Romantik bis zur Gegenwart, edited by Max Roehl and Corinna Sauter, Freiburg im Breisgau: wbg/Herder, 2024, pp. 213-241,

“Joseph Addisons Cato und die Poetik der Bewunderung,“ ZwischenSpielZeit. Das Theater der Frühaufklärung, edited by Jörn Steigerwald and Leonie Süwolto, Paderborn: Fink, 2022, pp. 81-107

“Still on Classic Ground: Joseph Addison’s Italy,” Addison in Europe / Addison en Europe, edited by Claire Boulard-Jouslin and Klaus-Dieter Ertler, Berlin: Peter Lang, 2020, pp. 67-77

“Enlightenment Subjectivity and the Hamlet Paradigm in The Lancaster Treaty of 1744,” Drama & Theater: Festschrift zu Ehren von Bernhard Greiner, edited by Eckart Goebel and Max Roehl, Tübingen: Stauffenburg, 2020, pp. 145-176

“Jefferson on the second floor,” American Society for Eighteenth-Century Studies, online, March 2025

“Silent Hues: Wordsworth’s footnote to an age of song,” American Society for Eighteenth-Century Studies, Toronto, March 2024

Respondent to a roundtable on “Addison's Cato in Tennessee, 2023," American Society for Eighteenth-Century Studies, Toronto, March 2024

“Steele’s gendered husband,” American Society for Eighteenth-Century Studies, St. Louis, March 2023

“The Medium is Politics. The radio and the production of a domestic play in Carson McCullers’ WWII novel, The Member of the Wedding,” International Conference on Politische Ideen in der Literature (1800-2000), Universität Tübingen, January 2023

“Art x Technology: Performing on the Cyber Stage,” Curated Online Roundtable, Para Site, Hong Kong, June 2022

“Fainlove: Ironic Sublimation in Steele’s The Tender Husband,” American Society for Theatre Research, San Diego, October 2021

“The Theatrical King: Staging Civic Religion from the English Monarchy to the American Presidency,” Center for Religion, Culture, and Society, Universität Tübingen, February 2021

“Sublimation, Again,” American Society for Theatre Research, Online Working Group, November 2020

“Annotating Silence: Wordsworth,” International Conference on Annotating Literature, Tübingen University, August 2019

“Joseph Addison’s Italy,” International Conference on Addison and Europe, Université Sorbonne Nouvelle, Paris, December 2018

“Addisonian Sovereignty: The Body’s Silent Persistence through the Delightful Imagination,” International Society for Eighteenth-Century Studies Seminar, Università della Tuscia, Viterbo, September 2018

“The Soul’s Site-Specific Performance: Joseph Addison’s Unique Theory of Theatricality,” Association for Theatre in Higher Education, Boston, August 2018

“English, Iroquois, German: Historically Staging Conrad Weiser’s Interpretative Work in the 1744 Lancaster Treaty,” International Federation for Theatre Research, Belgrade, July 2018

“Rome-ing the Suburbs: Joseph Addison’s Cato and the reception of Rome in 18th-Century London,” Abiding Cities, Remnant Sites, CUNY Graduate Center, November 2014

“Promethean Expositions and the Technē of Existence,” collaborative lecture, Congress of the Gesellschaft für Theaterwissenschaft, Ruhr-Universität, Bochum, September 2014